Foregrounding styles of the verb in Masnavi-e-Manavi
Abstract:
As Molavi said himself, he composes most parts of Masnavi-e-Manavi when he was out of spirit, as a result of his superego is dictation. And this condition that carry as a best moment of a Gnostic is life, meaning depends on music and word genuineness based on music and words. And Molavi uses different styles for originating to words and foregrounding language elements and more emotive effect as a result. One of interesting items in Masnavi-e-Manavi is verb and foregrounding styles of verbs that Molavi produce it in different forms such as inflexion and syntax changing, elimination, impression from people is speech and accent. The artistic styles from different aspects are applicable to recommendation of aesthetic critics of formalists. Since, most of the time Masnavi-e-Manavi does it critics based on new literary criticism up to now, and also even if formalism is a new event that has been appeared at the beginning of 20th century in Russia but at the years, some rhetoric scientist attach to word and form more than meaning. So writer in this letter wants to explain artistic aspects of verb in Masnavi-e-Manavi in formalism opinion.
Language:
Persian
Published:
فصلنامه پژوهش های نقد ادبی و سبک شناسی, No. 12, 2013
Pages:
199 - 225
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