The Image making of women in two Iranian playwright's work- Chista Yasrebi and Naghmeh Samini (with emphasis on Archetypical type of Rebellious Lady)

In this project that has been done into descriptive-analyze method mid utilize from mythology will study women characters in plays of two women’s author. “Wild woman archetype” has been formed from theorys of Carel Gustave Yung, unregarded in literary and artistically studying in my country. This archetype have been rebounded into literature and art with diferent shapes to qualification of politic, social, economic and cultural. Searching of this archetype in plays of two Iranian women author can be explanatory of secret angle from character of women and dimensions of psychologize of women in this plays. Important asking in this article is introducing traits of wild woman archetype (that it is picture from true nature of women); we understand about reaction of these traits into plays of two auther and lack of one or several traits or overhand, inordinate emphasis on one or several traits, what respect does find with worth while sense of psychologize and Sociological? In first part, have been studied about traits of wild woman archetype and we have studied about cultural sensations and another elements on it. In another parts, we recount traits of wild woman and reconcile them with picture of woman in sample plays. In deduction are said that women in this plays, in dimensions of psychologize and Sociological is reaction of wild woman’s true nature and traditional traits and pushy with her and making stressfull atmosphere for them, are receded them from creating life, vivacity and joyance and recognition nerve. Thus are unlimbered for this characters arena of rebellion and dander, so will be annihilated their future and survival.