Re analyzing poetic Embodiment-Inscription in ((Shahnameh)) of king Tahmasb

In Iranian traditional culture, Embodiment is the art of using phrases or verses from Quran, traditions or even verses from other poems in your own art work. Poet puts these referring phrases in guillemot or parenthesis to enlighten that this phrase belongs to another person or book. It means that Embodiment is considered some kind of, in text, referring. On the other hand, by developing Iranian painting, we can see lots of handwritten copies that reflex a message through the picture. Shahname of Ferdowsi is the best example for giving a message through the paintings. But of course some part of the text in Shahname gives us more details about the paintings. There is a relation between pictures and the text in an art work but sometimes we encounter some pictures that are not related to the text and author put them by his or library supervisor`s discretion or because of direct order from king himself. Author of this statue calls these new entries Embodiment- Inscriptions and each one of them has its own output. He tries to sort them by their usage and explain their role in art figures. All the materials are gathered from libraries and referring to the original copy of Shahname by king Tahmasb. Author used qualitative strategy with historical, descriptive, analytic approach to analyze data and used quantitative strategy to determine quantity of figures, poems and Embodiment- Inscriptions.