Ideological Stylistic Analysis of Contemporary Ashurayi Poetry Of Three Poems by Moallem Damqani, Musavi Garmarudi, and Saffarzade

Ideological stylistics of religious texts is a significant point, helping critics to know the text much more and revealing a set of seemingly hidden points on the ideological approach of the text. Its aim is to uncover the function of ideology, and its limits within the text, that is, in which ideological frame the text is located, and how much it is deconstructing that frame, or how much it is following or disobeying it. In the present research, studying the poems of three outstanding Ashurayi poetry, we have shown how much they have been loyal to the Islamic ideology, or they have reached the rubrics of the frame, and also considering their poetic innovations and ideological conceptualizations in the poems. In sum, we concluded that Ali Moallem Damqani is a traditional poet who sometimes reaches to the rubrics to develop his poems, producing different conceptualizations from the ideology. Ali Musavi Garmarudi, a poet who appraises the art and the beauty of his poetic devices more than the other poets, while less loyal to the religious tradition. Beside these two, Tahere Saffarzade is a poet who uses very cautiously of religious ideological concepts, and puts the ideology and content in relation to form in prior.