A Study on Phenomenology of Gheysar Aminpoor's Poems

Phenomenology, as a mental and philosophical trend, is considered as a starting point for many contemporary methods of literary criticism in a way that reader-centered critics used it as their base of theories. Hersol, the renowned phenomenologist, bases his theory on the assumption that the world phenomena are interpreted based on reader's understanding and impressions. The essence of phenomena is explored based on this assumption. Exploration of such reality requires possessing a new and innovative approach toward the phenomena. With reference to such approach, phenomena's existence of objects elevates to its realization of signs and evidence hence through the interaction with Semio-Semantics turns into a meaningful phenomenon. Upon his perfection in poetry, GheysarAminpoor, as an influential poet, reached his introversion and individual revelation in such a way that Macro epistemological thoughts became his main concerns. Aminpoor's phenomenological view generated his interpretational insight. Phenomena turned into signs in his exploring eyes. And these signs were carved into his mind to emerge into existential phenomena under the interpretation of Semio-Semantics relations. This article attempts to study the interaction between phenomenal view as a reader-centered criticism and Semio-Semantics orientation, and tries to analyze Gheysar Aminpoor's phenomenal poems so that via a new and dynamic approach, a new interpretation of his poems is obtained.