The aesthetics of simile's structure in the poems of Mohammad Ali Bahmani

The present article is an attempt to study and understand the artistic beauties of similes in the poems of Mohammad Ali Bahmani, in which different aspects of rhetorical figures of speech, the subject, simile angle, dimension-like, Modal, sensory, intellectual and abstract, extensive and intensive imagery are reviewed, and then scientific analysis has been proposed with the help of tables and graphs. Bahmani poetry is rich in simile and a lot of similes are used in his poetry (519 cases). In discussing the elements of simile, at almost any subject entered in his poems. But focuses more on the human elements, So that 359 cases (69/2%) of the tenors and 98 cases (18/9%) of the vehicles are gotten from these elements. With precision in his poems, we find that (38%) of his similes are new. Bahmani similes, from word of comparison and medium of comparison, Include: 63 caces (12.2%) and Mofassal (complete simile), 51 (9/8%) abstract (with no medium of comparison), 106 (20/4 %) Mo’akad (no word of comparison) and 299 (57/6%) eloquent (without medium and word of comparison). From structure and appearance of simile: Abstract or intensive simile (173cases, 33.3%) and extensive simile (346 cases, 66/7%). Avalanche of sensory and mental imagery of the parties have thus: (316 cases, 60/9%) of similes with sensory feeling, Intellectual to sensory imagery in his poems (106 cases, 20/4%) and sensory to intellectual (77 cases, 14/8%) and mental to mental imagery (20 cases, 3/9%). Bahmani tends to the feeling simile.