Hazim al-Qartajannl and Creation of newTerminology in the Field of Literary Criticism

Hazim al-Qartajannl has different views and ideas aboutcriticism in the Critical Arab heritage and rhetorical, and calls for renewable reading and interpretation. He is also credited with creating a modern critical terminology which were not present in the old part of the Arab critical terminology, including the "Al-minza‘, Al-i‘tāb, Al-taḥjīl, Al-taswīm, Altaḡyīr, Al-iḥāla, Al-arjul, Al-rukn, Al-sabṭ, Al-ja‘da, Al-mutalaqqī". The term "Al-iḥāla" shows the poet dealing with history, and is a reference to the poet, the events of history or treatment of its proceedings, which compares present with the past.Hazim is the first to introduce the term "Alarjul" to the prosody industry; It is an iconic term that refers to the voice clips. The term "Al-rukn" is a term in prosody; It is a static characterthat separates two moveable letters in rhyme. Hazim divided rhythms into "Alsabṭ and Al-ja‘da"; Al-sabṭ is the one which brings the three moveable characters respectively; and,Al-ja‘da is a poeticrhythm in which four static characters of two or three parscome from one part. From Hazim’sPerspective, "Al-minza" is a term used today meaning "poetic method", and "Al-taswīm"is an innovative term used to indicate good beginning of a speech, coined by Andalusiancritic. The term "Al-taḥjīl" in the "Minhaj al- Bulagha' wa Siraj al-cUdaba"is called "the good end of the speech"by Arab rhetoric scientistsand etc. The goal of each of these terms is to influence "Al-mutalaqqī or recipient". The Hazim al-Qartajannl expanded the circle of Arab cultureand upgraded the Arab mind bycreating these new terms in literary criticism.The value of these views has contributed to the enrichment of the old Arab criticism.