Studying allusion in the poems of seyyed Ali Musavi Garmarudi & Mohammad Ali Moallem Damqani

Abstract:
Allusion is one of literary industries that persian literature poets have continuously paid attention to it in in their own works from long time ago. Among contemporary poets, Musari Garmarudi & Moallem Damqani are those poets who have used different allusions in their poems. The purpose of these poets is sometimes the narration of historical and religious stories and some other times they have tried to indicate their own ideas and thoughts in poem form indirectly through using allusion. Although the use of allusion by those poets is religious or based on mythology, apparently, they inspire a lot of political concepts to their readers through poem form, and it is the same artistic reflex of allusion. These poets using allusion in revolutionary, religious and holy defence poems forms have grafted ancient events to their own time events. In fact, it can be said that their main purpose is to change poem to an information source for contemporary people.
The findings of this research wich have been obtained based on library and document ways, through descriptive investigation method, indicate that the percentage that Musavi Garmarudi has used allusion in his poems is higher. He has used allusion in his poems about 56/43% but Mo᾽allem Damqani has used allusion about 43/57% .Among all used allusions in their works, it can be stated that 77/61% are religious, 2/4% are based on Koran, 9/24% are literary, 6/84% are historical and 3/91% are mythological ones, that the religious allusions have had the most percentage of use in the poems of these two poets. Also, allusion to the prophet Moses with 9/07% in the poems of Musavi Garmarudi and allusion to the holy prophet Mohammad (p.u.h), with 12/21% in the poems of Moallem Damqani have had the most use, repetition and frequency in comparison with other personalities or titles.
Language:
Persian
Published:
Journal of Literary Aesthetics, Volume:6 Issue: 23, 2015
Pages:
47 to 72
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