Rhetorical Analysis of Salmani's Allusions to the Shahnameh

Allusion enriches the form of a work and gives its meaning depth by association of familiar events; consequently, it makes readers mind overfilled of literary pleasure. Poets enjoy this figure of speech as a poetical device for various purposes. Mohammad - e Salmani, contemporary lyric poet (born 1334), in his two books; Ghazal-e Zaman (Times Ghazel) and Dar be Dar Darpeye Nayaaftanat (Looking for Finding You Not) that have made published by now, had a special tendency to the allusion.
This article has paid attention to his allusions to the Shahnameh and has analyzed all 22 founded specimens in that two absolved-named books in a rhetorical specifically poetical method. Meanwhile according to Salmani’s manipulations, innovations, negligence and possible mistakes, the main purpose of the article is to show aesthetically some of the poet abilities that concerned with association of allusion.
In this deep research, it was found that Salmani in the application of mythical allusions to the Shahnameh has avoided from raw story telling as far as possible and observed other necessaries like ambiguity as well as. Also it was revealed that Salmani is very interested in character of Siavash. Also it was found that Salmani, concerned with the name of some characters, has made some few mistakes.
It is necessary to say that with this approach no research has been done about Salmani’s poetry.