Technical Study of The Materials in Three Tablout Atrrributed to Jafar-EChehrehnegar, in the Museum of the Iranian Islamic Parliament

Pahlavi Period has a special feature in the history of art in Iran. Due to the influence of Western's art and culture during this period, paintings and art are greatly influenced. The influence of Western art was begining from long ago of the Safavid dynasty, which reached its peak in Qajar and Pahlavi period. This paper attempts to identify the materials used in Pahlavi easel paintings. For this purpose, the board's portrait Hassan Esfandiari "," portrait of Muhammad Ali Foroughi "and" Mahmoud Ehteshamosaltaneh portrait " from paintings collection of Jafar-e-Chehrehnegar, in the Museum of the Iranian Islamic Parliament will be used as a case study.Techniques for analyzing PLM, FT-IR, SEM-EDS, XRF, as well as historical studies, basic procedures the identification of pigments and fibers are used in the painting. According to the results of the analysis carried out, the artist used white lead, zinc white, calcite white, yellow ochre, iron oxide, red ochre, ultramaryn, ,Indigo Blue, under the influence of artistic periods before Pahlavi in Iran. And used titanium white, green chrome, yellow zinc and lead chromate yellow and red, Prussian blue, under the impact of foreign artists and new materials have been imported. The fibers used for making canvas painting: canvas was diagnosed.