Act of Tabriz Potters in Effects of China Clay in Safavi Era

Regardless of impressiveness record of Chinese potters on Iranian potters, this impressiveness in Safavi era specially in blue and white clays has been presented particularly and survey and comparison between similarities and differences of Tabriz artists impressibility under influence of model and pattern of Chinese art and how potters from Tabriz act can have significant role in recognition of changes and evolutions of the clays patterns. In this paper the effects of model and pattern of china clay on Tabriz clays and how potters from Tabriz act under these effects will be discussed by studying and comparing some of China and Tabriz clays. The Method of this research has been analytic descriptive and the data is gathered through library studies. The result of this research is complete and comprehensive comparison between model and pattern of China and Tabriz clays which shows that although Tabriz artists initially adopted some decorative motifs from China, we can see increase in motifs with Islamic and Chinese combination and merger as these impressibilities continued. They progress noticeably in a way that it is said Tabriz potters could change these effects into Iranian ones.