The Scheme of sacred action in wedding songs (Based on LARESTAN wedding songs)

Marriage customs and oral material have very important function in life. Hence they are in categories related to the initiation of the transformation and transition from one stage to another stage shown in the holy life. The symbol in these symptoms and customs, both in terms of material culture and oral culture from the perspective of people are based on religious and philosophical insights. Lyrics general content, in addition to nature of the selection and election of each of the spouses, represents the sensory and emotional currents of modern life. Since any kind of change has always endangered the human mind, in this process, with the help of these songs, they called on the individual to have a different kind of prayer, separated from the crowd, and are guided from the world of daughterhood and son ship to the world of femininity and masculinity and then motherhood and fatherhood. The present study uses a descriptive-analytical method to collect and investigate the structure of Larestan wedding songs in Larestan region. After categorizing it, it analyzes the structure, function and relationship of these native species with customs. The result of the study shows that popular and folk songs, such as universal narratives, include prayers and praises of gods and goddesses, with two epic and lyric themes, and regardless of any kind of anxiety about the change in the religion and the formal attitude of society which reflects the resistance of the collective mind.