A comparative study of the play King Lear by William Shakespeare and the King Lyradvard band relying on the role of violence in Edward Bond's character from a psychoanalytic perspective

In this paper to compare Shakespeare's plays King Lear's Adaptive and King Lear in contemporary English playwright Edward Bond relying on violence as a factor in the formation of the band, plays. From the perspective of an individual's personality, behavior and actions of mutual reaction between the two product categories of environmental and hereditary factors, violence, and bad ethics and its roots in childhood and its manifestation in the ethics of the child reached maturity, an important issue is that a lot of questions with him. The purpose of this paper, the identification and investigation of its systems, various human communities in the violence and the role of violence in the creation of the characters in the band plays King Lear with point of view and with regard to this matter that reinvented and adapted a field that is now highly regarded, English playwright's motivations for King Leary we reinvented other naturally critical spirit of the band compared to the violence in the community Underpin the motivation involved and also his approach in a plays the character of King Lear is a comparison with Shakespeare's plays King Lear makes important; this is the direction that the existing violence in Shakespeare's plays King Lear characters especially girls, King Lear, the reason and the origin is not specified in the psychological drama, the band received the vacuum, and reinvented the characters and to the It mediates the psychological motive, they become violent for the hanger. Undoubtedly a historical juncture, in fitted in the theater and, ultimately, different forms and meanings to the cause that has seen two of its use of violence in the play is also one of the purposes of this article and is available for review with the theory of psychoanalysts and various theorists about violence and its formation as a emotionally that human behavior has reached puberty or even behavior that in children, the incidence of Be mobile. In order to achieve this, comparative plays King Lear William Shakespeare's King Lear and Edward Bond will be paid and the role of violence in the formation of a for examples of these two plays, as well as the opinions and the motivation for the creation of a band for King Leary will check on the other.But playing King Lear how he expresses this view, the band managed to psychoanalytic readings of Shakespeare's King Lear, plays that gap in knowledge according to the needs of the twenty-first century reader is discovered.He plays the character of Shakespeare, you see violence, but did not understand the reasons for it.In this paper to compare Shakespeare's plays King Lear's Adaptive and King Lear in contemporary Bond relying on violence as a factor in the formation of the band, plays. From the perspective of an individual's personality, behavior and actions of mutual reaction between the two product categories of environmental and hereditary factors, violence, and bad ethics and its roots in childhood and its manifestation in the ethics of the child reached maturity, an important issue is that a lot of questions with him.