Reading the poetic narrative of Iraj, composed by Ferdowsi with a sign-semantics approach

Language products are a function of a complex process, in which many sign-semantic factors are involved. One of the dimensions of the sign-semantics is the tension process. In the tension process, between sign-semantic elements, there is a relationship that fluctuates from the bolder.This process drives discourse into a kind of value system and confronts us with the generated meaning. The question of research is how are the sign-semantics factors creating the process of the formation of meaning in the narrative of Iraj's verse? And is it possible to find an open and fluid reading through the tension squared effect? The purpose of this study was to investigate the general structure of Iraj's verse narrative and to explain the discursive factors, semantic and tension squares, effective verbs in the narrative process, and the place and meaning of meaning in the above effect. The present article reviews the narrative narratives of Iraj in order to explain the discursive factors, semantic and tensile squares, effective verbs in the narrative process, and the place and meaning of meaning in the above work. In this narrative, meaning has been formed both through action and passiveness. The process of moving actor here has led to the production of mythical, ideal and moral values. Iraj is an idealist who is going to visit his brothers in the way of protecting his brotherhood, without any belonging to power, and without any armies and war tools and sacrificed for his cause. In other words, young prince reduces the scope of his material life so that the breadth of his spiritual life is vast and overwhelming.