Mary’s figurine in renaissance era paintings and comparing that with Saint Mary’s traits in Quran versesissance painting

“Iconology” is one of the methods of artistic studies from the standpoint of phenomenology in which it has stolen many attentions in the 20th century.By focusing on ideas of Panofski,this article tries to study the saint Mary's icon with the concept and content of Quranic verses comparatively.The main goal of this paper is to study and scan Mary’s image in the renaissance time and its decoding from the picture language of holy Quran in relation to saint Mary’s life iconologically.The present article tries to respond to adjust and match saint Mary’s images’ iconological features with the symbolic portaiture of her Quranic features providing the possibility of content and subject review of saint Mary’s life story.The main point of this study is to convert the text into a picture and image,in which both Bible and holy Quran talked about her holiness and characters.In renaissance art this text is turned into an image,but in islam the text has remained intact.This article tries to match texts and images.The necessity of implementing new studies in studies of Mary’s pictures is highly needed as a way to recognize.The sample population includes 20 samples of renaissance paintings and is in random way.And 8 samples of icons has been studied for visual analysis.The research findings demonstrate reflection of 3 kinds of saint virgin icons in 3 eras of renaissance in row.In the first renaissance era the icon of saint Mary had more match and correspondence with the holy Quran’s sacred in terms of form and content,in middle and advanced era of renaissance icons lost their holyness and its holy and abstractional synmbols have turned into some earthly and anthropocentric symbols.