Examining the animation capacities of literary classic texts Relying on Nafasat-Al-Masdoor, One of the new style features of these texts

animation is an art based on the combination of images and animating them that has been associated with it since the early years of the formation of the cinema. In spite of the high popularity of our children and adolescents from Hollywood animations, most of Iranian's animation films are not at the attention of the audience because of production technology problems and screenplays, and there is no widespread exposur.An examination of the world's animation produces an impressive amount of animation cinema from epic, didactic, lyrci and folk stories. Different types of Persian classical literature have the purporst and themes of the story and have the visual effects suitable for writing animated scripts.This occurs ina conditions that keeping the relationship of our children and adolescents with the roots of ancient Iranian culture is necessary. In the first step of this article, the animation capacities of different types of our country's literature are expressed briefly.Then, in a case study, the various features of Nafasat-Al-Masdoor, which are made suitable for animation adaptation are examined and while providingthe evidence,the examples from the text of the book is mentioned as a comparison of a sample of animation films and series. The results of this research show that Nafasat- Al-Masdoor, in addition to general dramatic capacities, has some visual, content, and narrative features for animation adaptation. The storytellerlikenarration, black and white personality-making, and endoplasms, and exaggerated romantic and expressionist imagery are among these features.