Analyzing Different Types, Techniques and themes of Satire in Three Works of Seyed Hasan Hosseini

As one of the most prominent and committed poets and writers of the Islamic Revolution, Seyed Hasan Hosseini, has paid attention to satire in three of his works. Through a descriptive-analytical method, the present study is dedicated to analyze the types, the techniques and the themes of satire have been used in these works: "Boradeh-ha"(the swarfs), "Nooshdarouye Tarhe Generic" (The panacea of generic plot) and "Festivale Khanjar" (the Dagger Festival). Hosseini has used, in above-mentioned works, aphorism, classic poetry format, Nimaei (Nimaic) poetry and white (Shamloi) poetry. Regarding that satirical tales are generally classified into three categories of "dramatic", "narrative" and "poetic", it can also be claimed that the satires used in these works are mostly dramatic using the techniques of exaggeration and sarcasm, especially poetic satires using the techniques of simile and metaphor. In addition, the most frequent theme of his satires has been the cultural critiques in the field of art as well as social critiques in the field of economy.