An overview of the evolution of flower and bird painting in Iran

Abstract:
Flower and bird paintings as one of the oldest Iranian art scenes that have changed the mythical origin of the mythology and in the thought of Flowers and Chicken Painters,the mythical conception of these designs over time was convert to the vibrant and dynamic symbols Has become in everyday life. Flower and bird paintings have changed over the course of history, and from background painting to the main subject of painting in the art of the Safavid period. Although the flower and bird painting has a long history in Iranian art, it can be said that the painting of flowers and bird as a separate subject was seen in the works of Reza Abbasi, and then continues by the students of Reza Abbasi, and these artists continue to practice They use their own design for flowers and birds. However, the painting of the Iranian flower and bird, which was formed during the Safavid era, peaked during the Qajar era, and the great painters and tasteful Iranian flower masters brought up some of the most unique and beautiful and most beautiful works of art in history Iranian art. In general, it is possible to describe the painting of Iranian flower and bird: a special school in Iranian painting, which includes valuable aesthetic works of the history of the art of this land, based on ancient mythological beliefs and the ancient notion of the association of the symbol of the tree and the bird that related to BasTokhmeh tree and Simurgh. This initial origin will later be combined with new religious and ritual beliefs and embody new symbolic concepts in addition to its ancient concepts and change from the mythical concepts to symbolic concepts. The research method was descriptive-library research.
Language:
Persian
Published:
Journal of Historical Thinker, Volume:1 Issue: 1, 2018
Pages:
85 to 112
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