How to translate dramatic narrative into dramatic space using mise en scene elements relying on the sense of place theory

Each theater scene is an event occurring in a space ,and it is evident that space is not independent of the architecture and design of the scene. The concept of space ,as the container in which the events occur ,is experienced by the agent of the time and expresses a narrative .The factor of time for experiencing space is the reason for the hierarchy and narrative in architecture ,while it is formed in theater of space based on narration and play .There are many components in architecture that ,based on Norberg Schultz’s sense of place theory, can be combined to mise en scene to make athmospher and sense of location.This experience, in addition to the formation of spatial structure, enhances the sense of space and rhythm. The present research seeks to achieve how this function works to develop it during production and implementation. Therefore, the present research seeks to answer the following questions: How is the formation of space through the mise en scene of creation? How can the elements of narrative be transformed into sensory spaces using the mise en scene design?How to use Schultz’s sense of location in mise en scene space to define space? In order to explain the role of mise en scene in the creation of space, due to the rich conceptual and structural studies of the field of space architecture, the Norbert Schultz sense of place theory is used and to implement the architectural harmony pattern and mise en scene Arthur Miller’s Death of a Salesman choosed as a case study And is analyzed according to the Norbert Schultz sense of of place theory. Ultimately, this study, with the help of Schultz’s sense of of place theory, explores narrative-space transformation into theater using the mise en scene elements.