The Evolution of Poem; A Textual Research as Another Determinant of Different Variants and Different Readings of Hafiz’s Poems

Perhaps there is no text like Divan-I Hafiz in which the author himself makes so much changes in it. In fact the main variants is the work of the poet himself who has developed the poem to literal and spiritual perfection. If we want to make a meaningful relationship between poetical aspects of Hafiz that is to say short of words, exemplifications in speech, the broken form of discourse, resemblances of the poet with predecessors and his contemporaries, the hypothesis that Hafiz has had frequent studies on others steady works is reinforced. Sometimes his variant transcriptions in his poems exist exactly in past literary texts and sometimes the difference in the transcriptions is at the result of different scientific sources which Hafiz has refered to them and meditated in them. As if, it is probable that one of the creative factors of this different variants is because of the Hafiz research texts themselves. Searching in intertextualities of Hafiz poems make it possible for reader the reasonable understanding of Hafiz mind and language and also the scientific and critical edition of his poem. Up until now, the Hagia Sophia manuscript -copied in 1410 AD- and the Khalkhali manuscript -copied in 1424 AD- have been considered as two head / base-text in the valid editions of the Divan-I Hafiz, By introduction and publishing facsimile edition of Noor Uthmaniya Library manuscript -copied in 1398-99 AD, it seems to be necessary the critical review / edition of this manuscript's readings compared to existing ones