Surreal reading of the collection"Hamel al-Fanus fi leel al-ze'ab"By cercon Bowles

Contemporary Arabic poetry, using its western experience,can use more extensive mechanisms to express its concept. One of these techniques is the use of the method of trans-realism in relation to the meanings and phenomena of being, which has been especially noted in the poetry of poets such as cercon Bowles. The contemporary Iraqi poet cercon Bools (2007- 1944) is among the poets influenced by surrealism whose by studying of his works can illustrate the surrealist identities in the two parts of Western surrealism and the localized version. In some of his poems, he uses a transcript of the Western version, especially in the elements of "autobiography", "surrealist imagery" and "the wonder". By referring to these criteria, it often deals with its inner dimension, Citing celebrities in Arabic literature, symbolic references and rhetorical parallels to Surrealism, he lends an indigenous form and uses other elements to correct social disarray.He has been able to give his poetry the color of surrealism by invoking ideas such as the freedom of life of the constraints, provoking imagination and imaginary demands, Risk in timeless routes, and passing through the material to get to the truth. The present research, considering the surrealistic capacities of his work, uses the method of content analysis to analyze the collection of "Hamel of Al-fanus Fi Leel al-ze-ab" and seeks to reveal the reality beyond the appearance world in Bowles poetry.