Collage Technique in Susanna Alivan's Al-Ghazal

In the contemporary era of contemporary Arab poetry, poets deliberately and consciously take advantage of the techniques and techniques of other techniques such as cinema, painting, music, etc., deliberately grounding their poetry on the basis of such techniques. One of the most prominent and postmodern Arab poets who put the principles of the new poetry on the table is the contemporary Lebanese poet Susan Alivan whose poetry is as distinct from that of his predecessors or modernist Arab poets such as Siab, Bayati, Nazik al-Mirae Is. The Lebanese poet emphasized the style and content characteristics of nineteen-century poets, most notably the interplay and application of other arts and techniques, especially collage in poetry. The collage, which represents the disorder and chaos of the contemporary world, was invented by Cubism painters, relying on components and sticky elements. Following this approach, the contemporary poet creates a collage-like poetic approach that this descriptive-analytical research seeks to analyze and analyze in the court of Susan Alivan's "Rashiq al-Ghazal". The result shows that Susan Alivan has clearly used this technique in poetry and her poems have a distinct and varied image, adhering to the principle of stickiness and inducing concepts such as chaos, disorder, confrontation, rupture, and high power and display capacity