External Music in M.Sereshk’s Poetry

Metter which refers to an order in utterances and makes them more imaginative is an integral part of poetry. In spite of all efforts made aimed at ignoring meter and at extending the poetic prose, the Persian speakers are still inclined to prefer metrical poetry. M.Sereshk-.Shafii Kadkani- theoretically believes that poetry is musical manifestation of language. This statement means that meter in the main component of Shafii kadkani’s poetries. With due regard to this theory, the present article is going to focus on and analyses the external music or meter in Nimaic Poems by Shafii Kadkani. For doing such research, one hundred samples of Nimaic poems have been studied respectively from the first half of the book “second millennium of the gazelle”(Hazareh-ye-Dovom-e-Ahou-ye-Kouhi) and the results have been presented by use of data analysis. Out of the result is that Shafii observed the rules and regulations established by Nima while Shafii has done some initiatives.  His choice of meter is unconscious. He has a natural inclination towards the meters such as “Ramal” and “Mozareh” exploited by Hafez, Saadi, and Molavi in their best sonnets. Caesuras, pauses, long syllables and short ones are selected in the most effective manner to convey emotions and meanings in his poems.