Definition of "Rend" and "Rend-goonegy” from perspective of "Ghazaliat of Hafez" in “Three Puppet Plays” of Bahram Beyzai

The word "Rend" has been used in Persian language from long times ago and it has many positive and negative meanings in old literature.Hafez, contradictory to most of his antecedent poets, does not have a shallow and negative assessment of "Rend” and in contrary, he announces them as anti-hypocrite, perplexed, rebellious and truth-seekers who generated several individual and social revolutions in a hard unsociable way .Many Hafez researchers see this concept as his most important intellectual achievement. Based onthe result of these features, we can indicate activism of "Rend" as a theatrical character. Bahram Beyzaei (a play writer whose attention to ancient literature can't be denied) is a fitting choice for following this concept, as it maybe the heroic and revolutionist morale of his work in association to myth and ancient patterns confirms enigmatic, rebellious and frenzy nature of his characters. In this article, in addition to indicating aspects of "Rend" and "Rend-goonegy" in "Ghazaliat of Hafez" and discovering the essence of this concept, it will be analyzed in “Three Puppet Plays” of Bahram Beyzai.