The contemporary poem seeks to find out ways to strengthen the role of lexicon and composition as well as to avoid uniformity of their traditional functions. It is exactly what encourages poets to apply visual methods proportion to their expression in one hand, and on another hand to add new structure accordance with the meaning of words and their line orders to their exemplum designs. Poetic line defamiliarization is among well-known methods that are widely used by contemporary Arab and Persian poets, especially the present research focuses on exemplum of Muhammad Ibrahim Abu Senna and Ahmad Shamlou who oblige themselves throughout their poetic lines to apply uppermost visual flexible techniques to transfer their feeling and decisions. The present analytical-descriptive research addresses fundamental functions of poetic line defamiliarization used by both aforementioned poets relying on American comparative literature school. Our work has led us to conclude that both poets focus on functions of poetic line defamiliarization in their exemplum; from poets’ viewpoint undulating line, indicating influence of tension on their writing style, gradual fall, representing fast and slow semantic fall along with subjective lexicon collapse, linear vertical structure, using for implied and inaugural equity of lines, and finally silence technique, in which punctuation is sometimes used to start a short silence and end in a longer one are notable instance.
- حق عضویت دریافتی صرف حمایت از نشریات عضو و نگهداری، تکمیل و توسعه مگیران میشود.
- پرداخت حق اشتراک و دانلود مقالات اجازه بازنشر آن در سایر رسانههای چاپی و دیجیتال را به کاربر نمیدهد.