The Hamleh-ye heydari is one of the epic poems written by Mashhadi in the Ferdowsi Shahnameh. This poem is a historical-religious work whose main theme is the narration of Muhammad's life story and his wars, the expression of Ali's heroics. And their miracles and miracles are historical events related to the early days of Islam and recorded in the course of history and history, in fact the historical aspect of the work is quite evident and history has become the ground for linking historical and sometimes extraordinary events. The poetic purpose is a religious and religious purpose. In this paper, which is written in a descriptive-analytical way, we have studied the stylistics of this work. The main purpose of this article is to investigate and determine the stylistic features of the Haidari attack. The results of the research show that the selection of transverse breeches due to the high syllables and the closure of the pulse has caused the epic linguistic proximity. Repetition of phonemes, words, words, and puns has increased the introspection of the poem. The stylistic structure of the words has created a mixture of rich, religious and epic language that is incompatible with the logic of the epic style and the presenting of the verb, the use of specific Shahnameh syntax, and the syntactic and syntactic properties of the word. He is. The literal co-ordination of the word is more based on imitation; it is the most sensory-like analogy that corresponds to the epic space of the work. The metaphors are more mockery and non-epic; it is more folk and interactive and has no epic spirit.
- حق عضویت دریافتی صرف حمایت از نشریات عضو و نگهداری، تکمیل و توسعه مگیران میشود.
- پرداخت حق اشتراک و دانلود مقالات اجازه بازنشر آن در سایر رسانههای چاپی و دیجیتال را به کاربر نمیدهد.