Aesthetic analysis of joyful songs of lorestan based on the ‘Sit biaram’ song

‘Sit biaram’ means ‘I am bringing for you’ which describes the purpose of bringing gifts for the bride by the groom. This song is usually sung by a group of women without any accompaniment. In this article according to the library resources, aesthetic application of ‘Sit bairam’ song, which have been collected as a field study is analyzed in two sections of surface structure “sounds, words, music and imaginary forms” and deep structure or content “emotion, thought, and meaning”. A review of literature shows that in the section of surface structure in verses, the “sounds” creates the movement alongside with music, sometimes with calmness and sometimes with roughness. The words companion has an effective role in the emotional associations and meaning of a poem. In some distiches rhythm and rhyme are problematic, but they are excusable and can be ignored. Indigenous music of verses is indebted to arrays of phonotactics, wordage wording and synonymy respectively, and also spiritual music consists of symmetry, poetical aetiology and exaggeration. “Metaphor” and then “simile” are effective in the creation of imaginary forms. From emotional point of view, in the deep structure section, passion and happiness are noticeable in distiches, which owes it to sounds, words, and their combination, and is raised from the dominant theory of literature. In terms of meaning and in order of frequency, topics such as “love”, “natural resources”, and “demands for rural and nomadic life” are evident in the distiches.