Political and social perspectives in Nader Naderpour’s poems

The present article has investigated political and social content in contemporary poet, Nader Naderpour’s poems. Nevertheless, his political and social views in terms of contemporary research have been neglected. We will not exaggerate if we consider Naderpour as the poet of images. The main essence of his poems are individual or human-philosophical and it is not much related to political and social perspectives. However, in Sormeh-ye Khorsheed and the other poems, his symbolic affiliations are at times towards political and social concepts. Romantic instances of his poems start from blue romance through to social examples and end in sad romance which is due to homesickness and they resemble Khayyam’s poems. Naderpour’s individualistic romanticism shifts to social revolutionary romanticism in the 30s and 50s. He combines romantic poems with political ones in this era. There are frequent fear, arrogance, revenge as well as  neural, social and political breakdowns in the background of his poems. In some of his poems, we detect a new perspective towards human and society and also love, freedom, justice as well as political, social and cultural issues in the contemporary world.