The Deconstruction of the Story of Zargrosi-e-Sayah, Kelileh va Demneh

The deconstruction reading of story due to the introspection, temporal context, and socio-cultural aspects reveals the structure of hidden, side meanings and non-textual public structures;because the author may underestimate, delete or change the meanings. The basis of deconstruction shows the same value meanings (absent and present) and their superiority over each other. In this descriptive-analytical study, the story of Zargrosi-e-Sayah (Babo al Saegh al Sayah) of Kelileh va Demneh is examined, I try to show the ability to create and shape this story in the form and structure of theose of Derida, in order to showin the written text, there is another meaning before and after this text that has been re-transformed by the text. Their findings show that the signs in the field of story construction and word formation in the story, allegory, ambiguity, quoting verses and narrations, sending proverbs, phrases, contradictory words and double opposites, functional and reactional differences in the work, hidden meanings ... such as religious attitude. They have two meanings, icons, etc., in the meanings and ideas of the author's marginal ideas, such as self-knowledge through other knowledge, the confrontation between the rich and the poor, special attention to meaning, respect for animals and suffering, all and all have changed Kelileh va Demneh into an open text.