Abdul-Qader Bidel Dehlavi is one of the celebrated Hindi style poets whose different mode of poetry has placed him in the arena of various judgments. There is hardly anyone who has not mentioned the complexity and knottiness of Bidel’s speech when judging his poetry. On the other hand, among those who have become reconciled and familiar with Bidel’s poetry, there is hardly anyone who has not emphasized on the marvelous charm of his poetry. To enter the lofty and labyrinthine construction of Bidel’s poetry, some keys are needed, most of which are accessible in Bidel’s Divan. One of the evident features of Bidel is his creativity. Bidel’s ability to make new connections among phenomena and his constant departure from common literary norms disrupt the reception of an important part of his poetry. In this study, one of the compounds of Bridel’s poetry (Muye Chini: China crack) that has complicated some of his verses has been analyzed and reviewed. With a comprehensive contemplation on the concept of ‘Muye Chini’ in Bidel’s Divan of odes and its connection with other elements, eleven basic relationships have been recognized in this study. Through expressing and explaining these eleven relationships including sound and kohl (seda va sorme), night (shab), shadow (saye), youth (javani), scraping (tarashidan), break of the heart (shekast-e- del), Faqfur, comb (shane), poverty and wealth (ajz va tavangari), and flag (parcham va alam) some of Bidel’s verses have been untied.
- حق عضویت دریافتی صرف حمایت از نشریات عضو و نگهداری، تکمیل و توسعه مگیران میشود.
- پرداخت حق اشتراک و دانلود مقالات اجازه بازنشر آن در سایر رسانههای چاپی و دیجیتال را به کاربر نمیدهد.