Deleuze's Review of "Future Madonna" by Henry James in the Logic of Emotion and Minority Literature

Henry James, a well-known American-British novelist, writes about women as human beings in his works and does not look at her from a gender perspective. Now in this article, art is like a painting or, in other words, a portrait that tries to draw and narrate a woman. Woman is written not as a woman but as an imitation or representation of a woman or prior woman. This theme evokes Deleuze-Guattari's interpretation of alienation to some extent. Both influenced by the poststructuralist and anti-enlightenment intellectual trend are a special form of literal writing that resists against any coding interpretation and avoids any predictable, subject-centered structure. In this research, which has been written based on analytical –descriptive method, author intends to analyze based on Deleuze's theory of logic of emotion and minority literature, women do not have a predetermined framework in James's art stories and especially in "The Future Madonna". They look forward the future and do not represent the past; So he does not seek to represent and wants to portray "Seyrurat" i,e. becoming.