Aesthetic Perception of Consciousness in Phenomenology in Sartre’s Viewpoint thorough the Critique of Phenomenon Consciousness to Husserl and Heidegger

This paper focuses on the analysis of one of the most important aspects of the psychology of phenomenology which is named Aesthetic perception of consciousness. The central question of the essay is how the transcendental life of intersubjective transforms into an aesthetic one? The Writer detects three-stages in this upheaval process. First, this process gets started from Husserl and implementation eidetic reduction. The result of this theory is transcendental transformation life of intersubjective from mere intuition of essences in the pure subjective to an objective science that constitutes objects. The second begins with Heidegger’s objection to this aspect. So the result of the eidetic reduction is the replacement of Dasein to consciousness. So Heidegger’s pattern was consciousness-Existence. The three, but in Sartre’s viewpoint consciousness and freedom are unified. And the final goal of eidetic reduction is to discover this point that consciousness has many properties: mere spontaneity and bi-essence. We can design consciousness to a sketch that creates himself freely. The Writer concludes that the deepest root of approach aesthetic perception of consciousness is leaning back to pattern consciousness- freedom.