A Study of the Style and Content of Kerman Khaji's Ghazals

Kamaluddin Abu al-Atta Mahmoud bin Ali bin Mahmoud Kermani, known as "Khawaju" and known as "Khawaji Kermani", is one of the eighth-century famous poets and so-called Hafiz poets in the Ghazal alGhazali period. In this paper, which is written in a descriptive-analytical way, we have studied the stylistics of Kermani's sonnets. The main purpose of this article is to investigate and determine the style and content characteristics of Kermani sonnets. The results of the study show that the Ramal bhajr is more frequent than the eleven bhaju at which its sonnets are composed. The use of sensory-to-sensory similes, ambiguity in its various forms, various implications, including the characteristics of the sonnets at the literary level. are. The numerous patterns of equation, diagnosis and paradox in his sonnets indicate that Khaju was one of the first to take the first steps in the emergence of the Indian style. Love forms an important part of his sonnets and then the mystical themes in the sonnets. He has more appearance. He is, of course, a professional mystical poet because he is only interested in mystical themes and themes. In some cases the combination of love and mysticism and the combination of the two with elements of Randy and Calandari worlds has given special prominence to his words.