Studing Stanislavski’s Experience in Opera based on the Acting Elements of the System

An operatic form of theatricality in which music provides theatrical effects and is a mixture of music and drama, and opera artists must be proficient in both parts in order to create works of art. Constantine Stanislavsky (1863-1938) Theorist, the inventor of the acting system, was also an expert in the field of opera and had important writings and achievements. Since 1921, he has taken charge of the reconstruction of opera art and the management of its opera house in Moscow, providing training and transformation in the direction and direction of Russian opera. His teachings to opera singer-actors on the basis of his acting system led to new standards and attributes in opera art. In this descriptive-analytical study using library and Internet resources, the basic question of how Stanislavsky utilized his acting system’s teachings to guide and direct opera actors was discussed. How did his performance in the field of opera influence the ways in which opera was played? The main hypothesis in this paper is that the Stanislavsky system has certain rules and principles regarding opera singer-training that can be categorized and analyzed from stage work to role play, and stage play. It is also emphasized that Stanislavsky has made remarkable achievements in his opera system and has made significant technical and creative breakthroughs in the Russian opera, utilizing his extensive opera work and producing a significant generation of readers. In this country, Opera doctrines, and based on system principles, have introduced new standards of opera acting.