The Construction and Deconstruction of Beliefs in Sanai’s Sonnets and Investigating the Relation between them and his Mystical Orientation: Structuralist Reading

This article studies sampels of deconstruction of beliefs in Sanai’s sonnets.Mysticism and Sufism due to their different attitudes toward God, the world, and human beings has manifested for the first time the deconstruction of beliefs in Persian literature and, hence, spoke of the invalidity of common thoughts and notions. To this end, different concepts, language, and thought have deployed to offer different interpretations. Regarding Sanai’s superior position in the consistent representation of mystical themes in Persian poetry time and his pey attention to culture, the author, through a descriptive-analytical approach, seeks to answer this fundamental question: Which are the Sanai’s methods, practices and aims that he has used to deconstruction of the common beliefs of his? What is the relation between deconstruction of beliefs in Sanai’s sonnets and mystical Orientation? And how much can his sonnets be read on Structuralis readin? It can be argued that Sanai as the father of Persian mystical poetry, through reversing semantic concepts, Qalandarane consepts, contradictory expression, and adopting the language of the mad, deconstruction of beliefs to create a new impression in readers’ minds.  Sanai is due to his mystical courage, fearlessness and spirituality, which can be influenced by the devotion to the trance (Sokr) and his follow-up of the Khorasan School. The weirdness of these themes has attracted much attention and audience and Construct and Deconstruct of Beliefs that these metodes is explored by Structuralis reading in the text in Sanai’s sonnets whithout any attention to history and ordinary sciences.