Decoupage style in the poem "Qayrun... place in the memory" of Mamdouh Adwan

The cinema was able to achieve a very large audience in a very short time and after the advent of this art, the writers were able to enrich their literary texts and hence the poets embodied the modern poetic vision free of complexity and entanglement, according to the art of cinema and among these expressive means is the decoupage is one of the key elements that influenced the current poem to remove dust from the poetic vision and expansion, and this is achieved by the influence of cinematic style on poets thought and imagination, and this phenomenon often comes involuntarily. And decoupage refers to the cutting of the last stage of the scenario, which is directed and it includes lighting mapping, shot sizes, length, and camera movements, and this is what we find in the poem "Qayrun... a place in memory" of the poet Mamdouh Adwan, as he was able to build his poem in accordance with the art cutting by the director. This study came in accordance with the descriptive-analytical method which applied the decoupage method to this poem starting from the lighting to show the place where the poet lives, the village of "Kiron" and the sizes of shots taken by the poetic camera from the place as well as the image and motion related to the poetic camera and sound effects and this study has reached the most important results; that the poem "Kiron .. place in memory" appeared in the cinematic language, which is subject to the style of decoupage and it builds animated images in the recipient's mind through various sizes and poetic camera movements, and in this work, the poetic text of the poem diverged from the static and static image towards the movement and the delicate imagination.