Checking the "title" in the poems of Ali Baba chahi from Realism to Postmodernism

Iranian Contemporary poetry has undergone various developments and has undergone various currents. One of these poetic currents created in the 70th decades is the postmodern poetry that has been developing along with other new trends since the beginning 70th decades to the present day, Ali Baba chahi, a contemporary poet and critic, entered the postmodern poetry by nam nam baran, and aghl azabam midahad. At first he started the work of a poet under influenced by Nima and his followers, whose realism and objectivism formed the basis of their work. But gradually, the course of his poetry evolved, and along of this transformation, the titles of his poems also undergone a transformation. In this article, we are looking at the titles of Ali Baba Chahi's poetry from the modernism to postmodernism. If the course of the title of his poetry was examined from the beginning, when he was following Nima until his second poetry era, the postmodern period, we would notice the major changes to these titles. The writers' effort in this study is to answer these questions, what is the quality of relationship between the title of Ali Baba Chahi's lyrics and the lyrics of his poems and is it possible to track and follow his thought and mentality from modernism to postmodernism by the titles of his poetry?