Investigating the phenomenological components of Juhani Pallasmaa in the context of the historical geography of the place (Case study: Hassan Abad Square)

A qualitative view of the architecture and physical spaces of the city as an interdisciplinary category is not only product of creative intellectual work and knowledge of one person. Or a group with the same specialization as design. Given that contemporary architecture and urban planning proceed with the disappointing and insincere results of the desensitization of human communication, the overemphasis on mental and conceptual dimensions leads to the destruction of the physical and sensory nature of architecture. Phenomenological discourse arises from an architectural experience that depends on the potential of the place in simultaneously paying attention to the mind and body of the audience, which will lead to a meaningful conscious experience. This research seeks to answer the question on what components are Plasma ideas formed in the experience of place? And can reading these components be narrated in the experience of being in an urban square (Hassanabad)? To answer this question, the phenomenological method based on the Max Van Mann model was used, as well as the free, axial and selective coding method, based on which it was done through semi-structured observation and interview with 30 participants. Research findings show that the priority of sensory perception is the core of our experience and our understanding of the world to gain deep experiences of space and time and architectural meaning to extend object-oriented architecture to architecture resulting from the experimental qualities of the body and sensory systems.