Reading of Terry Gilliam's Surrealist Scripts with Paul Ricoeur's Hermeneutic Phenomenology

According to me, his commentator terry Gilliam allows his characters to float in the heart of topics such as archetypes, narratives, history, time and place, to be redefined by Gilliam as unique phenomena. The researcher aims to discover the secondary meanings of the world of Terry Gilliam's screenplay texts in a dialectical process and intends to interpret Gilliam's screenplays based on Ricoeur's hermeneutic views. The researcher aims to discover the secondary meanings of the world of Terry Gilliam's screenplay texts in a dialectical process and intends to interpret Gilliam's screenplays based on Ricoeur's hermeneutic views. Ricoeur believes that in order to give wings to the imagination, reality must be suspended, so that by returning to the nature of objects and filling in the role of metaphors within the text, we can remove their original meaning and add new meanings to them. By this definition, the function of the power of the human imagination in Gilliam Berg's works is a winner for him so that the heroes of his works can advance the story in an unreal world. Examples that Gilliam has hermeneutically addressed in screenplays, can be traced back to storytelling, redefining narratives, joking with myths, and redefining stories with a transhistorical approach.In a descriptive-analytical way, the researcher intends to move towards the nature of phenomena and the interpretation of secondary concepts of Gilliam's screenplays in order to better understand this artistic approach to the manifesto of surrealism through phenomenological reading.