Manifestation of various ambiguities in Masnavi Mehr and Mostari Assar-e-Tabriz

Message:
Article Type:
Research/Original Article (دارای رتبه معتبر)
Abstract:

Ambiguity is one of the most beautiful tricks that creates ambiguity in words And it forces the reader to delay, and it can be considered as a kind of semantic aberration. Ambiguity has attracted the attention of speakers because of the special complexity it creates in speech. The scholars of modern science have long sought a definition to clarify its types. Some of the definitions given for Tory ambiguity are related to proportional ambiguity. While in the ambiguity of proportionality there is only one meaning in the word and the second meaning is absent. The ambiguity in the poetry of a number of poets, including Assar Tabrizi, has a special character and he can be called an ambiguous poet. In Masnavi "Mehr and Jupiter" types of ambiguity: proportional ambiguity, ambiguity in ambiguity, ambiguity of contradiction, ambiguity of translation, ambiguity of employment, ambiguity of exchange and ambiguity of photo have a very high frequency and from this perspective ambiguity can be considered as stylistic features of Tabrizi extract. So far, no research has been done on the ambiguity in the poems of this poet and the poems of great poets such as Hafez and Khaghani have been studied. The research done on Tabrizi extract is mostly related to the mysticism and morphology of Masnavi Mehr and Jupiter, and its aesthetic aspects have been overlooked. Therefore, this research can be a new work in its kind.

Language:
Persian
Published:
Journal of Practical Rhetoric and Rhetorical Criticism, Volume:6 Issue: 2, 2022
Pages:
167 to 176
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