In sustainable development planning, it is necessary to pay attention to the concept of housing and home. Home as a place for human life is related and connected to all aspects of her/his life and has different meanings beyond housing. Using phenomenological topics as a method of perceiving the structures of experience and consciousness, qualitative studies on the relationship between humans and living space can be done. The purpose of this study is to investigate the effect of the yard as a fixed physical element in interpreting the concept of a traditional Iranian house as a model of sustainable housing and its representation in contemporary cinema. For this purpose, two films "Tehran Tehran" and "Mom's Guest" made by Dariush Mehrjoui, which are stories taken from the lives of people in the contemporary period, were studied. Using a descriptive-analytical method, the semantic role of courtyard elements for the house in the above-mentioned cinematic narratives has been studied, interpreted and argued. The results show that the concept of home and its existential connection with human beings in Mehrjoui's works emphasizes the mutual identification between home and human life. The central courtyard is the lifeblood of the house and is one of the main factors in the stability of the traditional Iranian house. Therefore, due to the crisis of identity and meaning in contemporary lives, one of the ways to recover them is to pay attention to the role of the yard as a lost space of contemporary housing in sustainable urban development planning using new architectural methods.
- حق عضویت دریافتی صرف حمایت از نشریات عضو و نگهداری، تکمیل و توسعه مگیران میشود.
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