Analysis of the Component of Focalization in Qeydar's Novel

One of issues in narratology is the issue of focalization. Gerard Genet chose centralization as a superior view from a perspective that is a transcendental concept of visual side. This perspective is a point of view through which a lot of information is implicitly seen, felt, understood and evaluated. This research with the descriptive-analytical method is used to introduce focalization, its types and aspects in the popular novel Qeydar to examine the narrative information and to organize the validity of this work. The results of this research show that in terms of perception, in the narration of this work, there are two types of focalizer, "external" and "internal" with a position of limited and unlimited focalizers are interacting. The time of this novel is linear. Continuation of events except in the two fifth and ninth chapters, they are retold and most events have a singular frequency. Psychologically, the feelings of the hero of this work can be equated with the feelings of the author. The ideology that governs the atmosphere of Qeydar's novel, which shows the ideology of the author of this work, seeks to introduce the ideal character of Iranian society; a gentle personality a hero, a believer, a fighter and committed to the homeland, of which Qeydar is the supreme example. Amirkhani using the diversity in focalization and addressing the disturbed climate has brought the narration of Qeydar's novel closer to the social reality and has increased its credibility with the audience.