Cultural-political discourse of the Islamic Republic of Iran towards art and artist with the approach of Laclau and Mouffe theory

This research has presented a discourse analysis based on the theory of Laclau and Mouffe,on how the system of the Islamic Republic has been managed from the beginning of the revolution until now, towards artists. In any society,the artist class is considered as a leading class with a characteristic of thinking,which plays a major role in influencing society.This study has tried to argue that the subject of the discourse of the Islamic Republic of Iran,to expand among the artist class,based on different types of articulation of discourse,according to the context of different governments(both fundamentalist and reformist),contains There have been many different characteristics,some of which include internal contradictions in the ideal situation of the subject of the discourse of the Islamic Republic of Iran.The result emphasizes that;The field of culture is rooted in the fundamental ideas that are rooted in the central signifier.If this foundation freely covers all its intellectual and cultural spheres, it can be hoped for.The present study is in the category of "developmental research" in terms of purpose and in terms of method, has used the type of "content analysis" and in terms of approach,is based on the views of "Laclau and Mufe".