Rereading and Explaining the Discourse of Lyrical-Social Poems of Fereydoun Moshiri and Forough Farrokhzad with an Emphasis on the School of Romanticism

Forough Farrokhzad’s attention to the style of Moshiri's composition has caused the poetry of the two to be similar in terms of language and emotion. The simplicity and intimacy of the language of Moshiri's poetry was highly regarded by Forough, and on the other hand the emotional richness of Moshiri's poems is beyond the emotion of a man's poetry; if one reads or hears his poems without knowing his name, it is possible that they think they are written by a woman. In this article, the authors, using a descriptive analytical method, examine their written and virtual sources to provide a convincing and reasoned answer to the question: "What are the most important aspects of lyrical-social poetry in the poems of Fereydoun Moshiri and Forough Farrokhzad?" Authors emphasize that if Forough had had more opportunites, she would definitely have been in a position beyond her current status in contemporary poetry. Her poetry promised a poet with a special genius. Although Moshiri is a sensitive poet and to some extent committed to the issues of humanity, he has radiant differences in the way he expresses his views. Findings of this article indicate that Fereydoun's lyrical-social poems revolve around three major issues of general humanity, natural disasters and a personal view of social issues, but Forough's lyrical-social discourse revolves around four major issues of resisting the patriarchal society, criticism of diminishing moral values, criticism of passive people and the unhealthy situation of the country.