Pathology of the poetry of the poets of the revolution of the seventies and eighties in terms of culture and ethics

The purpose of this article is to study the pathology of the poetry of the poets of the revolution of the seventies and eighties in terms of culture and ethics. The method of this research is descriptive-analytical and based on library studies. The results of this study showed that meaninglessness or avoidance, and in a clearer sense, is a war with meaning. Sometimes poetry takes place in an atmosphere completely devoid of purpose and emptiness, especially at the end of this period, its sign is more vivid. The following poem is an example of the poet's semantics of this decade, although the lack of meaning is common to all of them. We also have many conceptualist and revolutionary poets in the seventies whose poetic axes are closely related concepts. Concepts such as religious themes, revolution, imposed war, Imam and leadership, national identity, memory of the oppressed and breaking the norms of society that are against the ideals of the revolution and are among the harms. Many of the components and features of traditional poetry, the most important of which was the commitment to meaning, were abandoned. Contemporary Iranian poetry in the 1970s was confused and far from repetitive and tainted with ideals. The circumstances of the atmosphere of that event demanded a great and devastating event. What was said about the postmodern poets of the seventies is not in the general sense of the poetry of the seventies that the poetry of the seventies is far from meaning and content.