Analyzing the Place of Nostalgia in Iranian Immigration Fiction with an Emphasis on Selected Female Authors (Akram Pedramnia, Nasim Wahabi, Fahima Farsai, Fariba Siddiquim)

One of the most important manifestations of migration literature is the component of nostalgia. The basic issue of this research is to answer the question of how such a component is reflected in women's fiction. The number of female Iranian immigrant writers, as well as the fact that some of them have a style in immigration fiction, shows the importance and necessity of such a study. The purpose of this research is to investigate the place of the nostalgia component in the selected and prominent stories of immigrant women storytellers after the Islamic Revolution, using a descriptive-analytical method. The hypothesis of the research is that nostalgia is one of the most important and significant components of form and content in the investigated works. The results of the research show that nostalgia in the works of AkramPedramnia takes the audience to the atmosphere of the past with a detailed description of the past and this nostalgia reminds of a special person. Another technique that Pedramnia uses to create a sense of nostalgia is image. Nostalgia in Nasim Wahhabi's works is narrated from the aspect of a space - like the space of war. Nostalgia appears in FahimaFarsai's works in a disturbing way for the characters in the story. In the works of FaribaSediqim, nostalgia refers to situations that a person has experienced with his friends and relatives. Nostalgia for objects and places is not seen in Siddiquim's works. The important feature of the reflection of nostalgia in Siddiquim's works is that the nostalgic events are shown in a fluid form of the mind and the narrator talks about the past as if it is happening right now.