Language and Phonetic Games in the Poetic Form of Self-referential auras

The present article explains the language games of Mohsen Mazkhori's poems in the self-referential halo (halehhaye khod erja)collection of poems; The clinical and physiological study of playing is based on the views of Derrida and Wittgenstein. This way of playing has emerged in postmodern poetry and has reached its peak in language poetry - one of the types of postmodern poetry. The poet of the poem modernizes the vocabulary, syntax and music of each of his poems in accordance with the situation of the same poem and uses phonetic organs, sounds and syllables to create music and induce content and convey feelings and moods. Considering that all the mentioned features are present in the poems of "selfreferential auras" can be considered as one of the successful types of language poetry. The question of the research is what the difference is between mazkhouri poetry and other types of language poetry, and which musical technique was used in the self-referential auras, and what was meant by the special use of non-sense sounds. The findings showed that, in the conceptual dimension, Mazkhouri was able to teach practical and rereading literary theories that has been used in the poetry, and in the musical dimension, by using the breath technique and the way of reciting the poem, he recreates and induces a situation or a state in the poem.