A Glance at the Monotheistic and Prophetic Allusions in the Khallagh-ul-Ma′ani poems. (Kamal-uddin Esmail Isfahani)

One of the criteria of scholarship and literature in the sixth and seventh centuries has been the rate of fruition of the poets and writers from the pure verses of the Holy Prophet as well as the radiant and vigorous traditions of the Holy Prophet (peace be upon him) and his veracious companions. Khallaaghol-ma′ani, Kamaluddin Esmail, not that much grandiloquent as of Khaghani, and not that much highly meaningful and similar to Moulana, but some what comparatively simple and half-mature, the ambers of eloquence of God and Prophet have been termed as the source of elegance for the sons of nature so that, as he himself admits, it could be an expiation for the eulogies he has recited and therefore has scattered the cost of the pearls under the feet of pigs. The highest frequency use of allusions in this writing has been in a united form for the narration of monotheism and the eulogy on the Holy Prophet (peace be upon him) with its outcome. If Sanai by uttering the creed of faith adopts portraiture, then Kamaulddin has displayed his art creativity in narrating and interpreting monotheism.