Innovations in the poetry of Gheisar Aminpour

Modernism in the literature shows Disconnection from ruling traditions and conventions and creating new ways for looking at human position and his/her role in the system of universe. Modernism have special external and internal characteristics, like separation from the proportion of individualism and emphasizing on creative individuality of an artist, loneliness feeling, alienation and desperation preference of unconscious to conscious, free association and unconscious stream of mind and paying attention to psychologists like Freud and Jung and some of the existentialists. Innovation is more comprehensive than Modernism. It pertains to a specific period (early twentieth century) and just like any other literary movements has reached to its peak and then has been replaced by another movement namely, post Modernism. Innovation hasn’t any beginning or ending and throughout ages manifested in the literature and art as well as in modernism. Innovation means creativity and it is not an imitation. The question that the present article wants to answer is, Can the principal of innovation be seen in the poetry of Gheisar Amin pour? Before investigation of Gheisar Aminpour' poetry, special innovations can be seen in different periods in the Persian poetry. In the modern contemporary poetry, innovation and creativity in comparison with return literary style or even Mashrothe period is more preferable. The poetry of Gheisar Aminpour has some sort of innovation in outer form as well as inner form. In his prominent poetry whether classic or Neonimai we encounter a sort of innovation which is unprecedented in the previous poets. Defamiliarisation in the compound nouns such as Aieneh Nagahan is a title from one of his book which shows the innovation. In this article the collection of Tanafoseh Sobh has been investigated.