Relation of composition between the ornaments and the calligraphy of inscription of Pirbakran,s Adytum Monument.

The most important part of a religion monument in Iran is adytum (Mihrab). One of the honorable and rare architectural works in 8th century (A. H) (Hejraon luner year) is the stucco relief (plaster Modeling of the Adytum (Mihrab) of Pirbakran’s Monument which has been worthy from the view point ofresearchers. The inscription of this adytum, has formed the main part of it, justlike as another adytum, which has various geometric and herbal ornaments. In the present article has been tried to search and find relationship between visualelements in composition of the Inscription of Adytum in order to recognition ofsome part of Islamic-Iranian art. Therefore, at first has been tried to document thewhole present images in the inscription of a dytum and then redraw carefully bythe computer. Introducing different parts of the Adytum, classifying the imagesand varieties of ornaments and inscriptions used in the Adytum’s design havebeen separately accomplished. By detecting the ornaments into two groups ofgeometric and plants, the varieties of basic images in Inscription parts of Adytumhave been attained, and wherever the plants features had more variations, it havebeen divided into «Eslimy» and «Khataei». Also different kinds of writing stylesand Adytum inscriptions after designing and introducing, were detected into «Sols» and «Kufi» which Kufi writing were further divided into plain ornamentalKufi and building Kufi. The method of research in this essay wadescriptive andananlitic and contains all ornaments of inscription of adytum. Finally, afterdesigning and introducing individual basic features of Inscription of Adytum, their varieties were achieved and the varieties of samples were described by thegraphs. This style will facilitate the visual distinction of Inscription of Adytumornaments of Pirbakran`s Monument and shows the graphical capabilities to theAdytum basic features well.